![]() The easiest way to see if your synth offers this functionality is turn a knob while recording and then view the track to see if MIDI CC data was recorded. If you sweep the filter by turning the cutoff knob while recording, for instance, you’ll hear the same filter sweep when you play back the track. This lets you record any real-time changes you make into your DAW in the form of MIDI CC data. Many synthesizers transmit MIDI CC data when you manipulate their front-panel controls. Even if you have a synth with controls for its own oscillators, filters, envelopes and so on, there’s a good chance you have what you need, as well. If you own a control surface or a MIDI keyboard controller sporting a number of knobs, sliders, buttons and pads, you have what you need to control your software remotely. Here I’m assigning my Novation Supernova II’s filter resonance knob, which sends CC#106, to control filter resonance in Arturia’s Oberheim SEM V. Some software lets you see the MIDI CC number you’re assigning to a particular control. More to the point, the ability to reassign MIDI CCs allows you to use them for controlling your software parameters onscreen, in some cases delivering mouse-free operation. For example, you could assign CC#1 to control panning, portamento time or any other continuous parameter. Some Control Change messages are undefined, meaning that the MIDI Spec doesn’t indicate what they should be used for, allowing manufacturers to use them for device-specific purposes that the MIDI Spec may not have anticipated.Īlthough CC#1 is intended to control modulation, CC#7 is intended to control volume, and CC#64 is intended to control sustain, you could easily reassign them to control other parameters, if you prefer. The most familiar MIDI switch is Sustain, CC#64, which is sent when you depress a sustain pedal connected to your keyboard. ![]() The MIDI Spec also defines six CCs that serve as switches used to turn parameters on and off. Modulation and volume are just two examples of continuous parameters. The majority of CCs cover a finite range of continuous data. ![]() CC#7 controls volume, the type of data usually sent when you move your volume pedal or turn your volume knob. For example, CC#1 controls modulation, the type of data usually sent when you push your keyboard’s modulation wheel forward. For almost 33 years, the MIDI 1.0 Specification has specified 128 types of CCs, with a number designated to each. Generally speaking, MIDI CCs are responsible for communicating nuance and expression in our playing, along with an assortment of other functions. Most other types of MIDI messages are Control Changes, also known as MIDI CCs. The MIDI learn feature on a software synth or software processor lets you control its parameters with actual knobs, sliders, buttons or pads on a hardware MIDI controller.Īs you probably know, MIDI data contains messages that communicate when a note plays, as well as its pitch, velocity and so on.
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